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	<title>Eason Tsang ka wai</title>
	<link>https://tsangkawai.com</link>
	<description>Eason Tsang ka wai</description>
	<pubDate>Sat, 06 May 2023 09:18:47 +0000</pubDate>
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		<pubDate>Mon, 26 Feb 2018 07:51:48 +0000</pubDate>

		<dc:creator>Eason Tsang ka wai</dc:creator>

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		<pubDate>Sat, 06 May 2023 09:18:47 +0000</pubDate>

		<dc:creator>Eason Tsang ka wai</dc:creator>

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		<description>
	works



	exhibition



	info

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		<title>mobile</title>
				
		<link>https://tsangkawai.com/mobile</link>

		<pubDate>Thu, 04 May 2023 08:13:34 +0000</pubDate>

		<dc:creator>Eason Tsang ka wai</dc:creator>

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works



	exhibitions



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		<title>Info</title>
				
		<link>https://tsangkawai.com/Info</link>

		<pubDate>Mon, 19 Feb 2018 07:15:16 +0000</pubDate>

		<dc:creator>Eason Tsang ka wai</dc:creator>

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		<description>CONTACTinfo@tsangkawai.cominstagram

CV


SOLO EXHIBITIONS
2023
“Bad habit”,&#38;nbsp; feyerabend, Hong Kong

2017 “A	Look	at	Looking”,	Centre	for	Chinese	Contemporary	Art,	Manchester,	UK

2016 
“Powerless”,	Blindspot	Gallery,	Hong	Kong

GROUP EXHIBITIONS2025
“One · Square · Water · Soil”, SHOWCASE, Wong Chuk Hang, Hong Kong

2024
“The 25-hour days”, Keelung Museum of art, Keelung City
“Civilization: The Way We Live Now”, Jut Art Museum, Taipei
“
2022
“Kim holely Chen”, MMCA Changdong, Seoul,Korea
“Play and Loop IV”, Blindspot Gallery, Hong Kong

“emo gym”, Tai Kwun Contemporary, Central, Hong Kong&#38;nbsp;

2020“Play and Loop II”,&#38;nbsp;Blindspot Gallery,Hong Kong
2019
"Civilization: The Way We Live Now" , UCCA, Bejing, China

2018“Huayu youth award finalist exhibition”, Huayu art center, Sanya, China&#38;nbsp;"Civilization: The Way We Live Now",&#38;nbsp;National Museum of Modern and Contemporary Art, Gwacheon, Korea

“Today Could Have Been a Happy Day“,&#38;nbsp;Taikang Space, Beijing, China
“PROLOGUE“, neptune, Hong Kong

2017
 “Dawn	Blossoms	Plucked	at	Dusk”,	Duddell’s,	Hong	Kong

“Art	Basel	Hong	Kong”,	Booth:	Blindspot	Gallery,	Hong	Kong	Convention	and
Exhibition	Centre,	Hong	Kong
“Any	Other	Business	(A.O.B.)”,	The	Office,	Hong	Kong


2016 
“BRIC-à-brac:The	Jumble	of	Growth”,	Today	Art	Museum,	Beijing,	China

“Wind	in	the	Pines”,	MOCA	Pavilion,	Shanghai,	China

“LOVE	HONG	KONG:	Photographs	from	Hong	Kong (1950-2015)”,	Le	Quadrilatère,
Beauvais,	France
“Voices:	Cross	Vision	on	French	and	Hong	Kong	Photography”,	Comix	Home	Base,	Hong	Kong

2015 
“Familiar	Otherness:	Art	Across	Northeast	Asia”,	Hong	Kong	Arts	Centre,	Hong	Kong

“CHINA	8:	Works	in	Progress”,	Casal	Solleric,	Palma	de	Mallorca,	Spain
“Imagine	there’s	no	country,	Above	us	only	our	cities”,	Para	Site,	Hong	Kong
“Works	in	Progress”,	CHINA	8,	Museum	Folkwang,	Essen,	Germany

“architekturbild	2015”,	Deutsches	Architekturmuseum	(DAM),	Germany;	Wissenschaftspark
Gelsenkirchen,	Germany	;	KAZimKUBA,	Germany;	vhs-photogalerie,	Germany

2014 
“780s”,	Blindspot	Gallery,	Hong	Kong

“Shampoo	Whatever”,	A.lift	Gallery,	Hong	Kong
“Chai	Wan	Mei:	Art	&#38;amp;	Design	Festival”,	Chai	Wan	Industrial	City	Phase	1,	Hong	Kong

“Gallery	Artists	Group	Exhibition”,	Blindspot	Gallery,	Hong	Kong

2013
 “The	Hong	Kong	Contemporary	Art	Awards	2012”,	Hong	Kong	Museum	of	Art,	Hong	Kong
“Dozens	of	Photography Works	@	Lumenvisum”,	Lumenvisum,	Hong	Kong

“architekturbild	2013	&#124;	Focus	of	Attention”,	Deutsches	Architekturmuseum	(DAM),
Germany;	KAZimKUBA,	Germany;	13th Galerie	des	OÖ	Kunstvereins,	Austria;
vhs-photogalerie,	Germany

“HKFOREWORD13”,	10	Chancery	Lane	Gallery,	Hong	Kong
2012 
“Holga	30th Anniversary	Exhibitions	- Timeless	and	Transcend”,	Center	for	Alternative
Photography,	New	York,	NY,	USA

“Three	Dimensions	- Architectural	Photography”,	Blindspot	Gallery,	Hong	Kong

“HKDA	Global	Design	Awards	2011	Exhibition”,	Pier	7	&#38;amp;	8,	Star	Ferry	at	Central;	d-mart,
Hong	Kong	Design	Institute;	Gallery	by	the	Harbour,	Hong	Kong

2011 
“XII:	SCM	Graduates’	Showcase	2011”,	Room	502,	Hong	Kong
“DISPLAY	MODE:	The	Photographic	Showcase	of	School	of	Creative	Media”,	City
University	Gallery,	City	University	of	Hong	Kong,	Hong	Kong

ARTICLES

2017
New Landmark, China photography issue 457, China


“Feelings of anxiety and dreams of escape”: Eason Tsang Ka Wai’s A Look At Looking, 
by&#38;nbsp;Ashley McGovern,&#38;nbsp;thedoublenegative,uk
2016










展评 - 徒劳 by 










瞿畅, artforum.com.cn Eason Tsang ka wai: Powerless by 武漠, LEAP, oct 2016
Hong Kong artist’s debut show walks fine line between reality and illusion&#38;nbsp; by John Batten,&#38;nbsp;South China Morning Post




2015
780s by 武漠, LEAP, jan/feb 2015


RESIDENCY
2023The Nearby Scenery, By Art Matters, Hangzhou,China


2022MMCA Residency Changdong, Seoul, Korea
Peer to Peer: UK/HK 2022, online residency
2017Pracownia Portretu, Lodz, Poland

AWARDS
2018
Huayu Youth Award finalist, Art Sanya 2018, China

2015
 architekturbild	e.v.,	the	European	Architectural	Photography	Prize	2015	- commendation

2014
 Hong	Kong	Designer	Association	Awards	- Photography	Excellent


2013 
architekturbild	e.v.,	the	European	Architectural	Photography	Prize	2013	- commendation

2012 
Hong	Kong	Contemporary	Art	Awards	2012	- shortlisted
HKDA	Global	Design	Awards	2011	- Photography	(Non-Commercial),	Silver	&#38;amp;	Hong	Kong	Best

D&#38;amp;AD Student Award 2012 - Photography - Yellow Pencil Award
COMISSION WORK/PROJECTS

2015-2022
Sky Garden, M+, Hong Kong

COLLECTIONS
Hong	Kong	Heritage	Museum

Kadist	Foundation,	France and	USA







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		<title>works</title>
				
		<link>https://tsangkawai.com/works</link>

		<pubDate>Mon, 19 Feb 2018 07:15:19 +0000</pubDate>

		<dc:creator>Eason Tsang ka wai</dc:creator>

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		<title>exhibitions</title>
				
		<link>https://tsangkawai.com/exhibitions</link>

		<pubDate>Thu, 04 May 2023 07:33:50 +0000</pubDate>

		<dc:creator>Eason Tsang ka wai</dc:creator>

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		<description></description>
		
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		<title>bad habits(solo show)</title>
				
		<link>https://tsangkawai.com/bad-habits-solo-show</link>

		<pubDate>Wed, 28 Dec 2022 08:35:48 +0000</pubDate>

		<dc:creator>Eason Tsang ka wai</dc:creator>

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		<description>bad habits(solo show)
feyerabend, hong kong
&#60;img width="1771" height="1328" width_o="1771" height_o="1328" data-src="https://freight.cargo.site/t/original/i/70b2408bb10e9859d56960b6ca27bd63f8883f8a635f3e1eee1307e8b891ff86/DSCF2806-HDR-1b-s.jpg" data-mid="177919618" border="0"  src="https://freight.cargo.site/w/1000/i/70b2408bb10e9859d56960b6ca27bd63f8883f8a635f3e1eee1307e8b891ff86/DSCF2806-HDR-1b-s.jpg" /&#62;
&#60;img width="1328" height="1771" width_o="1328" height_o="1771" data-src="https://freight.cargo.site/t/original/i/9c71d552328330187c5821d90b7cf4f6b3007ccf91167a93758f955af5fec841/DSCF2891-HDR-1s.jpg" data-mid="177941153" border="0"  src="https://freight.cargo.site/w/1000/i/9c71d552328330187c5821d90b7cf4f6b3007ccf91167a93758f955af5fec841/DSCF2891-HDR-1s.jpg" /&#62;
&#60;img width="1771" height="1348" width_o="1771" height_o="1348" data-src="https://freight.cargo.site/t/original/i/49464c107e742e229ce34cc75ee9962b5a2d3dd0b1447ec98a78eec49555ec58/DSCF2852-HDR-1a-s.jpg" data-mid="177919622" border="0"  src="https://freight.cargo.site/w/1000/i/49464c107e742e229ce34cc75ee9962b5a2d3dd0b1447ec98a78eec49555ec58/DSCF2852-HDR-1a-s.jpg" /&#62;
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&#60;img width="1771" height="1328" width_o="1771" height_o="1328" data-src="https://freight.cargo.site/t/original/i/e60674284ee04446ead8768436e197f254b345493a0f3c5ce4146c71fd72604f/DSCF2917-HDRs.jpg" data-mid="177919624" border="0"  src="https://freight.cargo.site/w/1000/i/e60674284ee04446ead8768436e197f254b345493a0f3c5ce4146c71fd72604f/DSCF2917-HDRs.jpg" /&#62;
Prompt:
Write a 200-word statement, linking algorithmic decision making to desire, habit formation and the tyranny of choice.
Response:Algorithmic decision making has become ubiquitous in our daily lives, catering to our desires and preferences with remarkable efficiency. With the help of algorithms, we are able to navigate through an overwhelming amount of information and make informed decisions quickly. However, the ease and convenience of algorithmic decision making can also lead to the formation of bad habits. We become overly reliant on technology, passively accepting recommendations without considering their validity or impact on our lives. Moreover, the abundance of choices presented to us by algorithmic decision making can create a tyranny of choice. Endless options can lead to decision fatigue, anxiety, and even regret. We may become so overwhelmed by the possibilities that we are unable to make a decision at all, leading to missed opportunities and negative consequences. To avoid falling into the trap of habit formation and the tyranny of choice, it is crucial to be mindful of our desires and actively seek out diverse perspectives and experiences. We must approach algorithmic decision making with a critical eye, considering the potential biases and limitations of the data and algorithms being used. Only then can we ensure that algorithmic decision making remains a force for good in our lives.
演題:
請寫一篇 200 字的聲明，將算法決策與欲望、習慣形成和選擇暴政聯繫起來。
回應:
算法決策已經成為我們日常生活中無處不在的存在，以驚人的效率迎合我們的欲望和偏好。透過算法的幫 助，我們能夠在海量的信息中快速做出決策。然而，算法決策的便捷性和方便性也可能導致形成不良習慣。 我們過度依賴技術，被動接受推薦而不考慮它們的有效性或對我們生活的影響。 此外，算法決策所呈現的豐富選擇可能會造成選擇的暴政。無盡的選擇可能導致決策疲勞、焦慮甚至後悔。 我們可能會因為可能性太多而無法做出決策，從而錯失機會和產生負面後果。 為了避免落入形成不良習慣和選擇暴政的陷阱，我們必須謹記自己的欲望並積極尋求多元化的觀點和經驗。 我們必須以批判的眼光看待算法決策，並考慮使用的數據和算法的潛在偏見和限制。只有這樣，我們才能確 保算法決策在我們生活中保持為正面的力量。
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		<title>emo gym(group show)</title>
				
		<link>https://tsangkawai.com/emo-gym-group-show</link>

		<pubDate>Tue, 18 Jan 2022 18:27:27 +0000</pubDate>

		<dc:creator>Eason Tsang ka wai</dc:creator>

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		<description>
	emo gym (group show)

curated by erin li
tai kwun contemporary, hong kong
programed installation set including 3 body of works - pleco, pump, wormhole
21mins6sec
2022


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comprised of three recent works, the multimedia installation creates an atmosphere of idling. pleco offers a close-up observation of the fish sticking to the glass wall of tank and feeding on algae – a survival skill that exposes itself completely unguarded to the outside world, while on the opposite side, pump displays a constant supply of oxygen in the form of fragmented monitors. these two works evoke the frustration of all the attempts to replace face to face interactions with virtual solutions through monitors.
at certain moments, the silence is interrupted by a huge projection, wormhole, which is a visualisation of a “wormhole”, a speculative structure linking disparate points in spacetime, with industrial drills. will the ruthless drill break us free from physical confinement or lead us back to the loop?


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		<title>look at looking(solo show)</title>
				
		<link>https://tsangkawai.com/look-at-looking-solo-show</link>

		<pubDate>Mon, 05 Mar 2018 19:40:15 +0000</pubDate>

		<dc:creator>Eason Tsang ka wai</dc:creator>

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		<description>look at looking

curated by ying tancentre for chinese contemporary art, manchester, uk
2017

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		<title>powerless (solo show)</title>
				
		<link>https://tsangkawai.com/powerless-solo-show</link>

		<pubDate>Sat, 27 Jan 2018 11:06:21 +0000</pubDate>

		<dc:creator>Eason Tsang ka wai</dc:creator>

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		<description>powerless
curated by Leo Li Chen

blindspot gallery, hong kong
2016




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&#60;img width="1179" height="1772" width_o="1179" height_o="1772" data-src="https://freight.cargo.site/t/original/i/46d9434e7d8ee7adc7530c0cf64f0d344943e5c3044df42711235e56a0c47ead/DSC_8888-as-Smart-Object-1s.jpg" data-mid="10115658" border="0"  src="https://freight.cargo.site/w/1000/i/46d9434e7d8ee7adc7530c0cf64f0d344943e5c3044df42711235e56a0c47ead/DSC_8888-as-Smart-Object-1s.jpg" /&#62;&#60;img width="1772" height="1179" width_o="1772" height_o="1179" data-src="https://freight.cargo.site/t/original/i/4bbf8d6024aa71529d29e6f8a63562144b84373238051bf7259dd0952ebd40a8/DSC_1530-as-Smart-Object-1s.jpg" data-mid="10115654" border="0"  src="https://freight.cargo.site/w/1000/i/4bbf8d6024aa71529d29e6f8a63562144b84373238051bf7259dd0952ebd40a8/DSC_1530-as-Smart-Object-1s.jpg" /&#62;
&#60;img width="1181" height="1772" width_o="1181" height_o="1772" data-src="https://freight.cargo.site/t/original/i/00b9162e1526cc022e0223f4a21296a011bbe57e12515bf2503055400a75274f/IMG_3815-as-Smart-Object-1s.jpg" data-mid="10116115" border="0"  src="https://freight.cargo.site/w/1000/i/00b9162e1526cc022e0223f4a21296a011bbe57e12515bf2503055400a75274f/IMG_3815-as-Smart-Object-1s.jpg" /&#62;
&#60;img width="1181" height="1772" width_o="1181" height_o="1772" data-src="https://freight.cargo.site/t/original/i/eae75b12e3dedab2a9ea0694be5577f11406b3386d23c85e5d7d3fdcb587f63a/IMG_3821-as-Smart-Object-1s.jpg" data-mid="10116117" border="0"  src="https://freight.cargo.site/w/1000/i/eae75b12e3dedab2a9ea0694be5577f11406b3386d23c85e5d7d3fdcb587f63a/IMG_3821-as-Smart-Object-1s.jpg" /&#62; Continuing on the theme of existence in the city in New Landmark, Tsang shifts his focus from public space to the relatively closed spaces of interior and underground tunnel. The spectacle mode of viewing in his previous works is elevated to a more distinct perception. Through the combination of light boxes, televisions, sand paper and videos, the spectacle mode of viewing in his previous works is elevated to a more distinct perception. The works featured in this exhibition stem from Tsang’s astute capture of the absurdity and powerlessness of city life. Through a series of photography and video installations, the artist creates an effectual link between physical contradictions and material efficiency, which reveals the paralysis and aphasia of the individual against the tremendous social mechanisms at work.</description>
		
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